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Make sure Content-Aware is selected in the options bar. In the image window, drag the Spot Healing Brush down from the top of the crease. You can probably repair the entire crease with four to six neat downward strokes. Zoom in to see the white hair in the upper right area of the image.
Then select the Spot Healing Brush again, and paint over the hair. Zoom out, if necessary, to see the full sky. Then click the Spot Healing Brush wherever there are dark areas you want to heal. Save your work so far.
Applying a content-aware patch Use the Patch tool to remove unwanted elements from an image. In Content- Aware mode, the Patch tool creates nearly seamless blending with the nearby content.
Type 4 into the Structure slider. The Structure menu determines how closely the patch reflects the existing image patterns. You can choose from 1 to 7, with 1 allowing the loosest adherence to the source structure and 7 requiring the strictest. Drag the Patch tool around the boy and his shadow, as closely as possible. You may want to zoom in to see him more clearly. Photoshop displays a preview of the content that will replace the boy.
Release the mouse button when the patch is positioned where you want it. The selection changes to match the area around it.
The boy is gone, and where he stood is a section of the bridge wall and of a building. The effect was pretty impressive, but not quite perfect.
Repairing areas with the Clone Stamp tool The Clone Stamp tool uses pixels from one area of an image to replace the pixels in another part of the image.
Using this tool, you can not only remove unwanted objects from your images, but you can also fill in missing areas in photographs you scan from damaged originals. Make sure that the Aligned option is selected. Move the Clone Stamp tool to an area where the top of the bridge wall is smooth. When you press Alt or Option, the pointer appears as target cross-hairs.
Drag the Clone Stamp tool across the top of the bridge wall in the patched area to even it out, and then release the mouse button. Each time you click the Clone Stamp tool, it begins again with a new source point, in the same relationship to the tool as the first stroke you made.
That is, if you begin painting further right, it samples from stone that is further right than the original source point. Deselect Aligned if you want to start from the same source point each time.
Select a source point where the bottom of the bridge wall is even, and then drag the Clone Stamp tool across the bottom of the wall where you patched it. Select a smaller brush size, and deselect Aligned. Then select a source point over the rightmost windows in the lowest row on the building you patched. Click across to create accurate windows there. Repeat step 6 to make any adjustments you want to apply to the lowest area of the building and the wall that runs in front of it.
If you like, you can use a smaller brush size to touch up the stones in the patched portion of the wall. Save your work. Sharpening the image The last task you might want to do when retouching a photo is to sharpen the image. There are several ways to sharpen an image in Photoshop, but the Smart Sharpen filter gives you the most control. The colored dots you see are artifacts of the scanning process. The Threshold value determines how dissimilar the pixels should be before they are eliminated.
The Radius value determines the size of the area searched for dissimilar pixels. The default values are great for tiny dots of color like the ones in this image.
Now that the artifacts are gone, you can sharpen the image. In the Smart Sharpen dialog box, make sure that Preview is selected, so you can see the effect of settings you adjust in the image window. You can drag inside the preview window in the dialog box to see different parts of the image, or use the plus and minus buttons below the thumbnail to zoom in and out. Make sure Lens Blur is chosen in the Remove menu. Lens Blur provides finer sharpening of detail and reduced sharpening halos.
Gaussian Blur increases contrast along the edges in an image. Motion Blur reduces the effects of blur that resulted from the camera or the subject moving when the photo was taken.
Drag the Radius slider to about 1. The Radius value determines the number of pixels surrounding the edge pixels that affect the sharpening. The higher the resolution, the higher the Radius setting should usually be.
Your image is ready to share or print! Extra credit Converting a color image to black and white You can get great results converting a color image to black and white with or without a tint in Photoshop. Click Open. Adjust the color sliders to change the saturation of color channels. You can also experiment with options from the preset menu, such as Darker or Infrared. Or, select the tool in the upper left corner of the Adjustments panel, position it over an area you want to adjust, and drag horizontally to lighten or darken that color wherever it appears in the image.
We darkened the bike itself and made the background areas lighter. If you want to colorize the entire photo with a single hue, select Tint. What does resolution mean? What does the Crop tool do? How can you adjust the tone and color of an image in Photoshop? What tools can you use to remove blemishes in an image? How can you remove digital artifacts such as colored pixels from an image? The term resolution refers to the number of pixels that describe an image and establish its detail.
Image resolution and monitor resolution are measured in pixels per inch ppi. Printer, or output, resolution is measured in ink dots per inch dpi. You can use the Crop tool to trim, scale, or straighten an image. To adjust the tone and color of an image in Photoshop, first use the White Point tool in a Curves adjustment layer.
Then refine the tone using a Levels adjustment layer. The Clone Stamp tool copies the source area exactly; the Healing Brush and Spot Healing Brush tools blend the area with the surrounding pixels.
In Content-Aware mode, the Patch tool replaces a selection with content that matches the surrounding area. About selecting and selection tools Making changes to an area within an image in Photoshop is a two-step process. You first use one of the selection tools to select the part of an image you want to change.
Then you use another tool, filter, or other feature to make changes, such as moving the selected pixels to another location or applying a filter to the selected area. You can make selections based on size, shape, and color. When a selection is active, changes you make apply only to the selected area; other areas are unaffected.
There are four primary types of selections: Geometric selections The Rectangular Marquee tool selects a rectangular area in an image. The Elliptical Marquee tool , which is hidden behind the Rectangular Marquee tool, selects elliptical areas. The Single Row Marquee tool and Single Column Marquee tool select either a 1-pixel-high row or a 1-pixel-wide column, respectively. Freehand selections The Lasso tool traces a freehand selection around an area. The Polygonal Lasso tool sets anchor points in straight-line segments around an area.
The Magnetic Lasso tool works something like a combination of the other two lasso tools, and gives the best results when good contrast exists between the area you want to select and its surroundings. Color-based selections The Magic Wand tool selects parts of an image based on the similarity in pixel color.
It is useful for selecting odd-shaped areas that share a specific range of colors. In the Favorites panel, click the Lessons folder. Then double-click the Lesson03 folder in the Content panel to see its contents. Study the 03End. Move the thumbnail slider to the right if you want to see the image in more detail. The project is a shadowbox that includes a piece of coral, a sand dollar, a mussel, a nautilus, and a plate of small shells. The challenge in this lesson is to arrange these elements, which were scanned together on the single page you see in the 03Start.
Double-click the 03Start. Using the Quick Selection tool The Quick Selection tool provides one of the easiest ways to make a selection. You simply paint an area of an image, and the tool automatically finds the edges.
You can add or subtract areas of the selection until you have exactly the area you want. The image of the sand dollar in the 03Working. Select the Zoom tool in the Tools panel, and then zoom in so that you can see the sand dollar well. Select the Quick Selection tool in the Tools panel. Select Auto-Enhance in the options bar. When Auto-Enhance is selected, the Quick Selection tool creates better quality selections, with edges that are truer to the object.
The selection process is a little slower than using the Quick Selection tool without Auto-Enhance, but the results are superior. Click on an off-white area near the outside edge of the sand dollar. The Quick Selection tool finds the full edge automatically, selecting the entire sand dollar. Leave the selection active so that you can use it in the next exercise. The rest of the image is not affected by those changes.
To move the selected area to another part of the composition, you use the Move tool. This image has only one layer, so the pixels you move will replace the pixels beneath them. If the sand dollar is not still selected, repeat the previous exercise to select it. Zoom out so you can see both the shadowbox and the sand dollar.
Select the Move tool. Notice that the sand dollar remains selected. Unless a selection tool is active, clicking elsewhere in the image will not deselect the active area. The layers that are under the pointer appear in the context menu. Manipulating selections You can move selections, reposition them as you create them, and even duplicate them. One of the most useful things you may find in this section is the introduction of keyboard shortcuts that can save you time and arm motions.
Repositioning a selection marquee while creating it Selecting ovals and circles can be tricky. As you perform this exercise, be very careful to follow the directions about keeping the mouse button or specific keys pressed.
If you accidentally release the mouse button at the wrong time, simply start the exercise again from step 1. Select the Elliptical Marquee tool , hidden under the Rectangular Marquee tool. Move the pointer over the plate of shells, and drag diagonally across the oval plate to create a selection, but do not release the mouse button. If you accidentally release the mouse button, draw the selection again.
In most cases— including this one—the new selection replaces the previous one. Still holding down the mouse button, press the spacebar, and continue to drag the selection. Position it so that it more closely aligns with the plate. Carefully release the spacebar but not the mouse button and continue to drag, trying to make the size and shape of the selection match the oval plate of shells as closely as possible. If necessary, hold down the spacebar again and drag to move the selection marquee into position around the plate of shells.
When the selection border is positioned appropriately, release the mouse button. Leave the Elliptical Marquee tool and the selection active for the next exercise. If the plate of shells is not still selected, repeat the previous exercise to select it.
The pointer icon now includes a pair of scissors to indicate that the selection will be cut from its current location. Note You can release the Ctrl or Command key after you start dragging, and the Move tool remains active. Photoshop reverts to the previously selected tool when you deselect, whether you click outside the selection or use the Deselect command.
Moving a selection with the arrow keys You can make minor adjustments to the position of selected pixels by using the arrow keys. You can nudge the selection in increments of either one pixel or ten pixels.
When a selection tool is active in the Tools panel, the arrow keys nudge the selection border, but not the contents. When the Move tool is active, the arrow keys move both the selection border and its contents.
Before you begin, make sure that the plate of shells is still selected in the image window. Press the Up Arrow key on your keyboard a few times to move the oval upward. Notice that each time you press the arrow key, the plate of shells moves one pixel. Experiment by pressing the other arrow keys to see how they affect the selection. Hold down the Shift key as you press an arrow key.
When you hold down the Shift key, the selection moves ten pixels every time you press an arrow key. Sometimes the border around a selected area can distract you as you make adjustments. Either command hides the selection border around the plate of shells. Using the Magic Wand tool The Magic Wand tool selects all the pixels of a particular color or color range. As with many of the selection tools, after you make the initial selection, you can add or subtract areas of the selection.
The Tolerance option sets the sensitivity of the Magic Wand tool. This value limits or extends the range of pixel similarity. The default tolerance value of 32 selects the color you click plus 32 lighter and 32 darker tones of that color.
You may need to adjust the tolerance level up or down depending on the color ranges and variations in the image. If a multicolored area that you want to select is set against a background of a different color, it can be much easier to select the background than the area itself. Select the Rectangular Marquee tool , hidden behind the Elliptical Marquee tool. Drag a selection around the piece of coral.
Make sure that your selection is large enough so that a margin of white appears between the coral and the edges of the marquee. At this point, the coral and the white background area are selected. Select the Magic Wand tool , hidden under the Quick Selection tool.
In the options bar, confirm that the Tolerance value is This value determines the range of colors the wand selects. Click the Subtract From Selection button in the options bar.
A minus sign appears next to the wand in the pointer icon. Anything you select now will be subtracted from the initial selection. Click in the white background area within the selection marquee. The Magic Wand tool selects the entire background, subtracting it from the selection. Now all the white pixels are deselected, leaving the coral perfectly selected. Softening the edges of a selection To smooth the hard edges of a selection, you can apply anti-aliasing or feathering, or use the Refine Edge option.
Anti-aliasing smooths the jagged edges of a selection by softening the color transition between edge pixels and background pixels. Since only the edge pixels change, no detail is lost.
Anti-aliasing is useful when cutting, copying, and pasting selections to create composite images. Select the tool to display its options in the options bar. To apply anti-aliasing, you must select the option before making the selection. Once a selection is made, you cannot add anti- aliasing to it. Feathering blurs edges by building a transition boundary between the selection and its surrounding pixels.
This blurring can cause some loss of detail at the edge of the selection. You can define feathering for the marquee and lasso tools as you use them, or you can add feathering to an existing selection. Feathering effects become apparent when you move, cut, or copy the selection. You can use the Refine Edge option to smooth the outline, feather it, or contract or expand it. Enter a Feather value in the options bar. This value defines the width of the feathered edge and can range from 1 to pixels.
Enter a value for the Feather Radius, and click OK. Selecting with the lasso tools As we mentioned earlier, Photoshop includes three lasso tools: the Lasso tool, the Polygonal Lasso tool, and the Magnetic Lasso tool. You can use the Lasso tool to make selections that require both freehand and straight lines, using keyboard shortcuts to move back and forth between the Lasso tool and the Polygonal Lasso tool.
Make sure you can see the entire mussel in the window. Do not release the mouse button. Press the Alt Windows or Option Mac OS key, and then release the mouse button so that the lasso pointer changes to the polygonal lasso shape.
Do not release the Alt or Option key. Begin clicking along the end of the mussel to place anchor points, following the contours of the mussel. Be sure to hold down the Alt or Option key throughout this process.
The selection border automatically stretches like a rubber band between anchor points. When you reach the tip of the mussel, hold down the mouse button as you release the Alt or Option key. The pointer again appears as the lasso icon. Carefully drag around the tip of the mussel, holding down the mouse button. When you finish tracing the tip and reach the lower side of the mussel, first press Alt or Option again, and then release the mouse button.
Click along the lower side of the mussel with the Polygonal Lasso tool as you did on the top. Continue to trace the mussel until you arrive back at the starting point of your selection near the left end of the image. Click the starting point of the selection, and then release Alt or Option.
The mussel is now entirely selected. Leave the mussel selected for the next exercise. Note To make sure that the selection is the shape you want when you use the Lasso tool, end the selection by dragging across the starting point of the selection.
If you start and stop the selection at different points, Photoshop draws a straight line between the start and end points of the selection. Before you begin, make sure that the mussel is still selected.
The mussel and selection marquee are enclosed in a bounding box. Move the pointer outside the bounding box so that it becomes a curved, double- headed arrow.
Drag to rotate the mussel to a degree angle. You can verify the angle in the Rotate box in the options bar. Press Enter or Return to commit the transformation. If necessary, select the Move tool and drag to reposition the mussel, leaving a shadow to match the others. Selecting with the Magnetic Lasso tool You can use the Magnetic Lasso tool to make freehand selections of areas with high- contrast edges. When you draw with the Magnetic Lasso tool, the selection border automatically snaps to the edge between areas of contrast.
You can also control the selection path by occasionally clicking the mouse to place anchor points in the selection border. Select the Magnetic Lasso tool , hidden under the Lasso tool. Click once along the left edge of the nautilus, and then move the Magnetic Lasso tool along the edge to trace its outline.
Tip In low-contrast areas, you may want to click to place your own fastening points. You can add as many as you need. To remove the most recent fastening point, press Delete, and then move the mouse back to the remaining fastening point and continue selecting. When you reach the left side of the nautilus again, double-click to return the Magnetic Lasso tool to the starting point, closing the selection.
Or you can move the Magnetic Lasso tool over the starting point and click once. Double-click the Hand tool to fit the image in the image window. Make sure that you can see the entire screw head in your image window. Select the Elliptical Marquee tool in the Tools panel. Move the pointer to the approximate center of the screw. Click and begin dragging. Then, without releasing the mouse button, press Alt Windows or Option Mac OS as you continue dragging the selection to the outer edge of the screw.
The selection is centered over its starting point. When you have the entire screw head selected, release the mouse button first, and then release Alt or Option and the Shift key if you used it. Tip To select a perfect circle, press Shift as you drag. Hold down Shift while dragging the Rectangular Marquee tool to select a perfect square. If necessary, reposition the selection border using one of the methods you learned earlier. Before you begin, make sure that the screw is still selected.
Select the Move tool in the Tools panel. Position the pointer within the screw selection. The pointer becomes an arrow with a pair of scissors , indicating that dragging the selection will cut it from its current location and move it to the new location.
Drag the screw onto the lower right corner of the shadowbox. A bounding box appears around the selection. Then press Enter or Return to commit the change and remove the transformation bounding box. As you resize the object, the selection marquee resizes, too. Use the Move tool to reposition the screw after resizing it, so that it is centered in the corner of the shadowbox frame.
Moving and duplicating a selection simultaneously You can move and duplicate a selection at the same time. If the screw is no longer selected, reselect it now, using the techniques you learned earlier.
The pointer changes, displaying the usual black arrow and an additional white arrow, which indicates that a duplicate will be made when you move the selection. Continue holding down the Alt or Option key as you drag a duplicate of the screw straight up to the top right corner of the frame. Pressing the Shift key as you move a selection constrains the movement horizontally or vertically in degree increments.
Repeat step 3 to drag a fourth screw to the lower left corner of the frame. Copying selections You can use the Move tool to copy selections as you drag them within or between images, or you can copy and move selections using the Copy, Copy Merged, Paste, and Paste Into commands.
Dragging with the Move tool saves memory, because the clipboard is not used as it is with the commands. The source selection is pasted onto a new layer, and the destination selection border is converted into a layer mask. Keep in mind that when a selection is pasted between images with different resolutions, the pasted data retains its pixel dimensions. This can make the pasted portion appear out of proportion to the new image. Use the Image Size command to make the source and destination images the same resolution before copying and pasting.
Select the Crop tool , or press C to switch from the current tool to the Crop tool. Learning has never been so simple and easy. The best part is that our list of computer courses is growing every day. We know that these useful tutorials are updated and upgraded all the time, so we are adding new courses and tutorials as soon as possible. With this photoshop full course in one pdf tutorial you will master this important program and increase your chances for getting the job position that you have always wanted!
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Adobe Photoshop CC Up To Speed – PDF Free Download – Screenshots
Adobe Express Creative Cloud Express enables you to quickly and easily make standout content from thousands of beautiful templates on mobile and web.
Feel like you have a designer in your corner as you select or upload your own images, try different layouts, add text to photos, and apply effects and filters.
Achieve high quality results in just a few taps with easy-to-use guided tools. Limited Adobe Stock functionality available in web page and video features within the desktop app.
Subscriptions automatically renew unless auto-renew is turned off at least 24 hours before the end of the current period. Any unused portion of a free trial period, if offered, will be forfeited when the user purchases a subscription to Creative Cloud Express, where applicable.
All the updates this time around are behind the scenes. Bug fixes, performance improvements, you know the drill. Make sure to tag your amazing designs with AdobeExpress on social so we repost them! Happy Posting! I got frustrated by the lack of layering tools and limited layout options when, for example, I wanted to put a photo or GIF, on top of a larger video, on top of a background, which I hoped this app would enable me to do.
Once I had my basic video, I was thinking I would need to save it and later add a GIF from Tenor using that option on Facebook, but they were way ahead of me My first video got over views, and if you’re a creative perfectionist, it will save you many hours of frustration, and I have not even discovered all the features, but for social media video posts, it’s invaluable, as they seem to have thought of and included everything!
Yes, I like this app enough to take my personal time and scratch out a review! No need for tutorials and classes to get going on your project. It has enough features to create amazing stuff, without being totally confusing and off putting.
I just jumped right in and spent time having fun with my creativity.. Alright, enough of this- they should pay me!!! Get it!
Loving the app so far having experience with many design projects. Really creates a peace of mind when needing to run through multiple iterations of a design because you know what you want once you see it, and not having to stop the creative flow to draft new thumbnail mock-ups, grab more paper, or even shuffle through needed layers.
And just for comparison I also tried saving the finished project directly to google drive and then downloading the image on a desktop and then uploading the image from the social site on the desktop and yet the Image still resulted in the same quality. At the moment it has been only good to design for smaller screen content.
Still giving a 4 though. Thank you for the feedback regarding image quality. We are constantly making changes to improve image quality generated from Post iOS and web. Could you reach out to us at hellopost adobe.
Spark Post Team. The developer, Adobe Inc. The following data may be collected and linked to your identity:. Privacy practices may vary, for example, based on the features you use or your age. Learn More. App Store Preview. Screenshots iPhone iPad. Description Adobe Express Creative Cloud Express enables you to quickly and easily make standout content from thousands of beautiful templates on mobile and web.
Aug 4, Version Ratings and Reviews. App Privacy. Information Seller Adobe Inc. Size Compatibility iPhone Requires iOS Price Free. Developer Website App Support. More By This Developer. Adobe Capture: Tool for Ps, Ai. Photoshop Camera Portrait Lens. Adobe Fresco: Painting Studio.
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How can you adjust the tone and color of an image in Photoshop? Just log in to access your files anytime as many times as you need; the code needs to be redeemed only once. Photoshop CC gives you the digital-editing tools you need to transform images more easily adobe photoshop cc book pdf free ever before. One of the most useful things you may find in this section is нажмите для деталей introduction of keyboard shortcuts that can save you time and arm motions. Select the Postage layer, and then click the arrow next to the Opacity field to display the Opacity slider. Please remember that existing artwork or images that you may want to include in your project may be protected under copyright law. In the Tools panel, select the Adobe photoshop cc book pdf free Type tool.