Adobe photoshop elements 12 remove background free

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

You can specify these areas by placing colored marks in the areas you want to select. After you mark the areas and close the dialog box, only the foreground area appears in the photo. The Magic Extractor makes it easy to select people or objects so that you can superimpose them on other backgrounds. For example, you can remove yourself from a photo of you on your bicycle at home, and superimpose it on a photo of cyclists in the Tour de France.

You can save the extracted image as a file that you can use again and again. Area you want to extract marked with red dots B. Background marked with blue dots C. Extracted image. The Magic Extractor dialog box opens with the Foreground Brush tool selected by default. Select the Background Brush tool and click multiple times or draw lines to mark the area that you do not want included in your selection.

When selecting objects with varied colors and textures, drag across all the colors and textures to ensure a more accurate selection. To help mark your selection, use the Zoom tool or the Hand tool to magnify and navigate around the photo.

In Photoshop Elements, you can fine-tune your selection using the Refine Edge select a portion of an image, right-click the selection, and choose Refine Edge from the context menu dialog box. To open the Refine Edge dialog on a Mac, select a portion of an image, Control-click the selection, and choose Refine Edge. View Mode. From the View pop-out menu, choose a view mode for your selection. Press F to cycle through the modes.

Refine Radius and Erase Refinements tools. Precisely adjust the border area in which edge refinement occurs. To quickly toggle from one tool to the other, press E. To change the brush size, press the bracket keys. Note: Brush over soft areas such as hair or fur, to add fine details to the selection.

Smart Radius. Automatically adjusts the radius for hard and soft edges found in the border region. Deselect this option if the border is uniformly hard- or soft-edged, or if you want to control the Radius setting and refinement brushes more precisely.

Determines the size of the selection border in which edge refinement occurs. Use a small radius for sharp edges, and a large one for softer edges. When increased, soft-edged transitions along the selection border become more abrupt. Typically, the Smart Radius option and refinement tools are more effective. Shift Edge. Moves soft-edged borders inward with negative values or outward with positive ones.

Shifting these borders inward can help remove unwanted background colors from selection edges. Decontaminate Colors. Replaces color fringes with the color of fully selected pixels nearby. The strength of color replacement is proportionate to the softness of selection edges. Important: Because this option changes pixel color, it requires output to a new layer or document.

Retain the original layer so you can revert back to it if needed. To easily see changes in pixel color, choose Reveal Layer for the View Mode. Output To. Determines whether the refined selection becomes a selection or mask on the current layer, or produces a new layer or document.

When you delete a selection on a background layer, the selected area is replaced with the background color or checkerboard background pattern transparent pixels. You can also deselect by clicking anywhere in the photo outside the selected area. Quickly select a person or thing in your photo Introduced in Photoshop Elements Automatically select a subject. To access the Select Subject option:. Click Tool Options and click the Select Subject button. In the first step of this Guided Edit, click the Select Subject button.

Refine the automatic selection. Use selection tools. In Photoshop Elements, you must be in Expert mode to see the selection tools.

Refine Selection Brush tool : Helps you add or remove areas to and from a selection. Use the Rectangular and Elliptical Marquee tools.

Optional Set marquee tool options in the Tool Options bar:. Specify whether to create a new selection, add to a selection, subtract from a selection, or select an area intersected by other selections. To soften the selection border so that it blends into the area outside the selection, enter a Feather value. To smooth the edges of your selection, select Anti-aliased Elliptical Marquee tool only.

Drag over the area you want to select. Hold down the Shift key as you drag to constrain the selection marquee to a square or circle.

Use the Lasso tool. Select the Lasso tool from the toolbox. Optional Set Lasso tool options in the Tool Options bar:. Specify whether to create a new selection, add to an existing selection, subtract from a selection, or select an area intersected by other selections. To smooth the edges of your selection, select Anti-aliased. Drag to draw a freehand selection border:. To add to the selection, release the mouse button; then press Shift and, when the pointer changes to , drag. To subtract from the selection, release the mouse button; then press Alt Option in Mac OS and when the pointer changes to , drag.

To add straight-edge segments, hold the mouse button and press Alt Option in Mac OS ; then release the mouse button and, when the pointer changes click where you want to position the end of the segment. To close the selection border, release the mouse button.

A straight selection segment is drawn from where you released the mouse button to the starting point of your selection. Then use the Polygonal Lasso Tool to trace parts of your selection you want to remove. Copy and paste your selection. You can either copy and paste it into a new layer, or into another image. Use the following steps to copy and paste your selection. Click Edit in the menu bar at the top. Click Copy. Click Edit. Click Paste.

Turn off the background layer. To turn off the background layer of your image, click icon that resembles an eyeball at the next to the background layer in the Layers panel to the right. This disables the background layer and removes the background.

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Support wikiHow Yes No. Not Helpful 9 Helpful How can I save an image that I’ve erased the background in photoshop as a jpeg? Not Helpful 14 Helpful 8. If I accidentally erase part of the image I’m trying to keep, how do I add it back? Not Helpful 9 Helpful 7. Include your email address to get a message when this question is answered. By using this service, some information may be shared with YouTube.

The magic wand works best when the background is one color and there is a non similar outline around the image. Submit a Tip All tip submissions are carefully reviewed before being published. If you save this as a JPEG it will undo all your work. Magic wand might delete part of your image if the background is similar to the image. You Might Also Like. How to. About This Article. Written by:. Co-authors: Updated: October 21, Categories: Adobe Software.

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About Joseph Brownell. Apply a Multilevel List in Word- Instructions. Best to use with high contrast between subject and background, and when the subject has fairly simplistic lines. By far, the quickest method discussed here is the built-in Photoshop Quick Action for removing backgrounds in Photoshop.

With speed, however, comes less accuracy. Using Photoshop Quick Action will do most of the work for you, but the results may fall short of your expectations, depending on your image. While outside the scope of this article, if you need help with working with masks, check out this Adobe tutorial. Photo credit: Karsten Wingert on Unsplash. Best to use when: working with high contrast images, although it takes a fair bit of time and effort to produce a good outcome.

The Background Eraser tool is excellent if you need more control over removing a background in Photoshop but still want Photoshop to do some of the heavy lifting for you.

Depending on your photo, using the Background Eraser tool could be highly effective and a time saver and get you closer to your desired outcome with some time involved. You can adjust it as we go by using the square brackets [ and ] to decrease and increase the size of the brush.

Note that the lower the tolerance, the fewer color variations it will pick up. Conversely, the higher the tolerance, the more colors the tool will select. I recommend you do short strokes with the brush remembering to let go of the mouse from time to time so that you can always Undo if the brush goes too far.

 
 

 

Adobe photoshop elements 12 remove background free

 

Graphics file formats differ in the way they represent image data as pixels or vectorsand support different compression techniques and Photoshop features.

To preserve all Photoshop features layers, effects, masks, and so onsave a copy of your image in Photoshop format PSD. The standard bit depth for images is 8 bits per channel. To achieve adobe photoshop elements 12 remove background free dynamic range with or bit images, use the following formats:. Many file formats use compression to reduce the file size of bitmap images.

Lossless techniques compress the file without removing image detail or color information; lossy techniques remove detail. The following are commonly used compression techniques:. Most useful for images with large areas of single color. Recommended for continuous-tone images, such as photographs. JPEG uses lossy compression. For the best printed results, choose maximum-quality compression.

A family of lossless compression techniques for black-and-white images, supported by the PDF and PostScript language file formats. For more information, see Help for the specific Adobe applications. When saving a Человеческое adobe illustrator cs5 logo design tutorial free принимаю, you can set a preference to adobe photoshop elements 12 remove background free file compatibility.

This saves a composite version of a layered image in the file so it can be read by other applications, including previous versions of Photoshop. It also maintains the appearance узнать больше the document, just in case future versions of Photoshop change the behavior of some adobe photoshop elements 12 remove background free.

Including the composite also makes the image much faster to load and use in applications http://replace.me/29246.txt than Photoshop, and may sometimes be required to make the image readable in other applications. Mac OS You can use this format to open an image in Photoshop 2. Saving in Photoshop 2. You can use DCS 2. Encapsulated PostScript EPS language file format can contain both vector and bitmap graphics and is supported by virtually all graphics, illustration, and page-layout programs.

EPS format is used to transfer PostScript artwork between applications. When you open an EPS file containing vector graphics, Photoshop rasterizes the image, converting the vector graphics to pixels. EPS does adobe photoshop elements 12 remove background free clipping paths.

You use DCS 2. You can edit and use an opened preview image just as any other low-resolution file. The current version of Photoshop includes rasterization features for opening files that include vector data. The Photoshop Raw format is a flexible file format for transferring images between applications and computer platforms. Documents saved in the Photoshop Raw format can be of any здесь or file size, but they cannot contain layers.

The Photoshop Raw format consists of a stream of bytes describing the color information in the image. Photoshop designates the number of channels needed to describe the image, plus any additional channels in the image. The file creator is also generally a four-character ID. The Header parameter specifies how many bytes of information appear in the file before actual image information begins.

This value determines the number of zeroes inserted at the beginning of the file as placeholders. You can enter a header when you open the file in Raw format.

You can also save the file without a header and then use a file-editing program, such as HEdit Windows or Norton Utilities Mac OSto replace the zeroes with header information. You can save the image in an interleaved or non-interleaved format. If you choose interleaved, the color values red, green, and blue, for example are stored sequentially. Your choice depends on requirements of the application that will open the file.

A Photoshop Raw image is not in the same file format as a camera raw image file from a digital camera. Digital Negative DNG is a file format that contains the raw image data from a digital camera and metadata that defines what the data means. BMP is a standard Windows image format on Windows-compatible computers. BMP images are normally written bottom to top; however, you can select the Flip Row Order option to write them from top to bottom.

You can also select an alternate encoding method by clicking Advanced Adobe cs6 free direct free. Using the Cineon format, you can output back to film with no loss of image quality.

The format is used in the Cineon Digital Film System, which transfers images originated on film to the Cineon format and back to film. DICOM files contain both image data and headers, which читать полностью information about the patient and the medical image. GIF format preserves transparency in indexed-color images; however, it does not support alpha channels. Use raw files from Canon cameras for best results.

IFF Interchange File Format is a general-purpose data storage format that can associate and store multiple types of data. IFF is portable and has extensions that здесь still-picture, sound, music, video, and textual data. A JPEG image is automatically decompressed when opened.

A higher level of compression results in lower image quality, and a lower level of compression results in better image quality. In most cases, the Maximum quality option produces a result indistinguishable from the original.

All Photoshop features, such as layers, effects, and filters, are supported. With documents larger than 30, pixels in width or height, some plug-in filters are unavailable. Most other applications and older versions of Photoshop cannot support documents with file sizes larger than 2 GB.

The film format has high color fidelity and a dynamic range нажмите чтобы перейти for use in motion picture production. Based on the PostScript imaging model, PDF files accurately display and preserve fonts, page layouts, and both vector and bitmap graphics.

In addition, PDF files can contain electronic document search and navigation features such as http://replace.me/11025.txt links. The Touch Up Object tool is mainly for посетить страницу источник revisions to images and objects. Photoshop PDF files. Photoshop PDF files can contain only a single image. Photoshop PDF format supports all color modes except Multichannel and features that are supported in standard Photoshop format.

Standard PDF files. Standard PDF files can contain multiple pages and images. When http://replace.me/8183.txt open a standard PDF file, Photoshop rasterizes vector and text content, while preserving pixel content. Adobe photoshop elements 12 remove background free format is продолжение здесь in Mac OS graphics and page-layout applications as an intermediary file format for transferring images between applications.

However, Photoshop cannot save to adobe photoshop elements 12 remove background free format. The Pixar format is designed specifically for high-end graphics applications, such as those used for rendering three-dimensional images and animation. Pixar format supports RGB and grayscale images with a single alpha channel. The format can be used for lossless data transfer because many applications support this format. You can even edit or create such files within a simple text editor.

This format was originally adobe photoshop elements 12 remove background free for the Radiance system, a professional tool for http://replace.me/2271.txt lighting in virtual environments.

The file format stores the quantity of light per pixel instead of just the colors to adobe photoshop elements 12 remove background free displayed onscreen. Radiance HDR files are читать далее used in 3D modeling.

Contact Creo to obtain utilities for transferring files saved in Scitex CT format to a Scitex system. These files are generated for input using a Scitex страница. Images saved in Scitex CT format are printed to film using a Scitex rasterizing unit, which produces separations using a patented Scitex halftoning system.

TIFF is a flexible bitmap image format supported by virtually all paint, image-editing, and page-layout applications. Also, virtually all desktop scanners can produce TIFF images. Photoshop can save layers in a TIFF file; however, if you open the file in another application, only the flattened image is visible.

Photoshop can also save notes, transparency, and multiresolution pyramid data in TIFF format. WBMP format is the standard format for optimizing images for mobile devices, such as cell phones.

WebP format provides both lossless and adobe photoshop elements 12 remove background free compression for working with images on the web. To learn more, adobe photoshop elements 12 remove background free work with WebP files in Photoshop.

Buy Adobe Photoshop or start a Free Trial. Legal Notices Online Privacy Policy. Buy now. User Guide Cancel. Make it. Important Important:. Choosing a file format.

Formats for bit images requires Save A Copy command. Formats for bit images requires Save As command. Supported file formats in Photoshop. File Format Types. Supported File Formats. Audio import formats.

 
 

Adobe photoshop elements 12 remove background free

 
 

Future changes to the Pantone Color Libraries. Pantone is supporting their most up-to-date color libraries exclusively through the Pantone Connect plug-in available here. Adobe and Pantone have been working together to support your color needs and additional information and tutorials will be available shortly. Photoshop uses the foreground color to paint, fill, and stroke selections and the background color to make gradient fills and fill in the erased areas of an image.

The foreground and background colors are also used by some special effects filters. You can designate a new foreground or background color using the Eyedropper tool, the Color panel, the Swatches panel, or the Adobe Color Picker. The default foreground color is black, and the default background color is white. In an alpha channel, the default foreground is white, and the background is black. The current foreground color appears in the upper color selection box in the toolbox; the current background color appears in the lower box.

Default Colors icon B. Switch Colors icon C. Foreground color box D. Background color box. The Eyedropper tool samples color to designate a new foreground or background color. You can sample from the active image or from anywhere else on the screen. Point Sample. Current Layer. To circle the Eyedropper tool with a ring that previews the sampled color above the current foreground color, select Show Sampling Ring.

This option requires OpenGL. To select a new foreground color, click in the image. Alternatively, position the pointer over the image, press the mouse button, and drag anywhere on the screen. The foreground color selection box changes dynamically as you drag. Release the mouse button to pick the new color. Alternatively, position the pointer over the image, press Alt Windows or Options Mac OS , press the mouse button, and drag anywhere on the screen.

The background color selection box changes dynamically as you drag. To use the Eyedropper tool temporarily to select a foreground color while using any painting tool, hold down Alt Windows or Option Mac OS.

Use the Adobe Color Picker to set the foreground color, background color, and text color. You can also set target colors for different tools, commands, and options. You can configure the Adobe Color Picker to let you choose only colors that are part of the web-safe palette or choose from specific color systems. If you know the numeric value of the color you want, you can enter it into the text fields.

You can also use the color slider and the color field to preview a color to choose. As you adjust the color using the color field and color slider, the numeric values are adjusted accordingly. The color box to the right of the color slider displays the adjusted color in the top section and the original color in the bottom section. Alerts appear if the color is not a web-safe color or is out of gamut for printing non-printable.

Picked color B. Original color C. Adjusted color D. Out-of-gamut alert icon E. Alert icon for color that is not web-safe F. Displays only web-safe colors G. Color field H. Color slider I. Color values. This is useful for viewing how the different color models describe a color.

Although Photoshop uses the Adobe Color Picker by default, you can use a different color picker than the Adobe Color Picker by setting a preference. The Color Picker is also available when features let you choose a color. For example, by clicking the color swatch in the options bar for some tools, or the eyedroppers in some color adjustment dialog boxes.

You can choose a color by entering color component values in HSB, RGB, and Lab text boxes, or by using the color slider and the color field. To choose a color with the color slider and color field, click in the color slider or move the color slider triangle to set one color component.

Then move the circular marker or click in the color field. This sets the other two color components. As you adjust the color using the color field and color slider, the numeric values for the different color models adjust accordingly. The rectangle to the right of the color slider displays the new color in the top half and the original color in the bottom. Alerts appear if the color is not a web-safe color or is out of gamut. You can choose a color outside the Adobe Color Picker window.

Moving the pointer over the document window changes it to the Eyedropper tool. You can then select a color by clicking in the image. The selected color is displayed in the Adobe Color Picker. You can move the Eyedropper tool anywhere on your desktop by clicking in the image and then holding down the mouse button. You can select a color by releasing the mouse button. Saturation and brightness are specified as percentages.

In the color field, the hue saturation increases from left to right and the brightness increases from the bottom to top. The color you click appears in the color slider with 0 none of that color at the bottom and maximum amount of that color at the top.

The color field displays the range of the other two components, one on the horizontal axis and one on the vertical axis. When choosing a color based on the Lab color model, the L value specifies the luminance of a color. The A value specifies how red or green a color is. The B value specifies how blue or yellow a color is. You can choose a color by specifying each component value as a percentage of cyan, magenta, yellow, and black.

You can choose a color by specifying a hexadecimal value that defines the R, G, and B components in a color. The three pairs of numbers are expressed in values from 00 minimum luminance to ff maximum luminance. For example, is black, ffffff is white, and ff is red. The heads-up-display HUD color picker lets you quickly choose colors while painting in the document window, where image colors provide helpful context. After clicking in the document window, you can release the pressed keys.

Temporarily press the spacebar to maintain the selected shade while you select another hue, or vice versa. By working only with these colors, you can be sure that art you prepare for the web will not dither on a system set to display colors. Choose Web Color Sliders from the Color panel menu.

Click the alert cube to select the closest web color. When you choose a non-printable color in either the Adobe Color Picker or the Color panel, a warning alert triangle appears. A swatch below the triangle displays the closest CMYK equivalent. To ensure that the final printed output is the color you want, consult your printer or service bureau and choose your color based on a printed color swatch.

Manufacturers recommend that you get a new swatch book each year to compensate for fading inks and other damage. To print true spot color plates, create spot color channels. The Custom Colors dialog box displays the color closest to the color currently selected in the Adobe Color Picker. Commonly used for newspaper applications.

DIC Color Guide. Commonly used for printing projects in Japan. Consists of CMYK colors. Focoltone colors help avoid prepress trapping and registration problems by showing the overprints that make up the colors. A swatch book with specifications for process and spot colors, overprint charts, and a chip book for marking up layouts are available from Focoltone. For more information, contact Focoltone International, Ltd. HKS swatches. Used for printing projects in Europe. Each color has a specified CMYK equivalent.

Color samplers for each scale are available. HKS Process books and swatches have been added to the color system menu. Colors used for spot-color reproduction. PANTONE color guides and chip books are printed on coated, uncoated, and matte paper stocks to ensure accurate visualization of the printed result and better on-press control.

The CMYK screen tint percentages are printed under each color. For more information, contact Pantone, Inc.