Looking for:
Logic pro x joint stereo vs normal free download
Difference between stereo and joint stereo? Fri Nov 11, pm Is there? David Nahmani Site Admin. Fri Nov 11, pm Before joint stereo, people used to use two mono files for stereo: one for the left channel, the other for the right channel. Joint stereo is a single, 2 channel audio file. Cov Posts: 94 Joined: Fri Mar 04, am Sat Nov 12, am Does this imply any difference in perception, or ends up being the same?
Sat Nov 12, am Same. Now, to get really picky and stuff If you take two mono audio files recorded at different times i. Thing is, it’s a stereo mix of two mono sound sources. If you capture the audio of a sound source with two microphones simultaneously, whatever signal is picked up by the left mic is actually mono. Same with the right mic. Let’s say you have a truly mono sound source playing out of Logic. Say, a mono hand clap, panned right up the center. Now bounce it as a stereo file.
The result is a “dual mono” file where the information in the left and right audio files is identical. There’s no real point in making dual mono files unless the sound is actually panned off-center.
In that case, the sound will be identical in both files, but one will be louder than the other. HTH, Ski. Sun Nov 13, am Cov wrote: Does this imply any difference in perception, or ends up being the same? There are a few different methods in use for creating joint stereo MP3 files, but the basic idea is to take everything that is identical to both the left and right channels and encode that as one chunk, then take the difference, what’s left over and encode that to another chunk.
Theoretically, this gives you better quality for a given bit rate, but that doesn’t always work out. Some encoders downmix all the low frequencies to mono first before doing the joint encoding. I don’t know exactly how Logic’s joint stereo encoder works, though. Never used it. Music helps not the toothache.
Logic pro x joint stereo vs normal free download. Logic Pro 7 Power!
Stereo Spread is generally used when mastering. There are several ways to extend the stereo base or the perception of space , including using reverbs or other effects and altering the signal phase. These options can sound good, but they can also weaken the overall sound of your mix by ruining transient responses, for example. Stereo Spread extends the stereo base by distributing a selectable number of frequency bands from the middle frequency range to the left and right channels.
This is done alternately—middle frequencies to the left channel, middle frequencies to the right channel, and so on. This greatly increases the perception of stereo width without making the sound totally unnatural, especially when it is used on mono recordings.
Lower Intensity slider and field: Set the amount of stereo base extension for the lower frequency bands. Upper Intensity slider and field: Set the amount of stereo base extension for the upper frequency bands. Note: When setting the Lower Int and Upper Int sliders, be aware that the stereo effect is most apparent in the middle and higher frequencies. Distributing low frequencies between the left and right speakers can significantly alter the energy of the overall mix. Graphic display: Shows the number of bands the signal is divided into and the effect intensity in the upper and lower frequency bands.
The upper section represents the left channel. The lower section represents the right channel. The frequency scale displays frequencies in ascending order, from left to right. Order knob and field: Determine the number of frequency bands that the signal is divided into.
A value of 8 is usually sufficient for most tasks, but you can use up to 12 bands. Stereo Spread parameters Lower Intensity slider and field: Set the amount of stereo base extension for the lower frequency bands.