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Alchemy Synth Masterclass – Logic Pro X – Alchemy – ADSR Courses
Alchemy has a flexible architecture and its wealth of modulation options can create sounds with a surprising sense of movement.
Mark Cousins gets animated…. Having a synthesiser as powerful and as flexible as Alchemy residing in Logic is a joy for any sound designer or musician working in the field of electronic music. Put simply, movement is created using a variety of modulation sources — like an LFO, for example, or step sequencer — routed through to one or more destinations within the patch.
The first choice for movement in a patch has to be a tempo-synced LFO, of which Alchemy can use multiple instances of in any single patch. Often the most effective sounds, though, come from a small or moderate amount of depth, rather than the filter being modulated over its entire range. With Bipolar not activated, the LFO adds to the existing parameter level, rather working both positively and negatively on the current filter cutoff point.
Using a short attack and gate, for example, and moderate release, you can create a result not dissimilar to the default shape of the MSEG modulator. It might be, for example, that you use an LFO on the amplifier, modulate the filter using a complex MSEG and another LFO, while a parameter like reverb time is modulated using the step sequencer. The fact that. Alchemy also supports a semi-modular architecture, including parallel and serial filters, means that you can create stunningly complicated patches, limited only by your imagination.
Map velocity to your chosen parameter, and the arpeggiator can control anything from filter cutoff to panning. The arpeggiator itself contains the all-important Mode, Rate, Octave and Length controls, letting you move between a chugging eighth-note sequence, to swathes of 32nd notes spiralling through a chord.
Our basic starting point involves a single oscillator set to the sawtooth wave. Create some additional unison voices with a medium detune and ensure the filter is set to LP4 MG.
Click on the drop-down menu and assign LFO1 to modulate the filter. Lower the cutoff and tweak the depth to get the desired amount of movement. Under the drop-down menu in the Modulation section you can find an option to create a new LFO.
The trick is to use a small amount of depth for the modulation, creating a subtle undulation effect. This tutorial is endorsed by Point Blank. You can study sound to picture on their Music Production Diploma courses, with pro industry tutors. Napolian, electronic musician and prominent LA-based producer, dies at Data miners discover Spotify HiFi interface graphics and settings. Marc Rebillet plays music with his food in commercial for German supermarket chain gone viral. Hardware Instruments. Review: Line Audio CM4.
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In conclusion, this will force the Alchemy preset database file to re-build and include your new folder structure. If you like this article you might also like this other Alchemy article I wrote on granular synthesis which you can view here. How to write better melodies when we are driven by muscle memory to play things we already know? Muscle memory can be a gift and a. Here you will find tons of good tips and tricks.
Welcome to film scoring for beginners episode 4. How do you transform an original melody into different moods? Learn music arrangement tricks that I use. The following sections contain information to assist you as you start to explore sound creation in Alchemy. Given the flexibility and variety of Alchemy synthesis engines, you can take a number of different approaches to sound design.